In honor of Megan Ellis's request, here is awesomeness from the 1970's. Enjoy!
Saturday, January 30, 2010
Wednesday, January 27, 2010
Friday, January 29, 2010
Thursday, January 28, 2010
Tuesday, January 26, 2010
Wednesday, January 27, 2010
Word of the Day: abstemious
Irish Word of the Day: cuidiú (help)
Today’s Holiday: Thomas Crapper Day
Gifted English II: Julius Caesar Act IV questions; reminder of memorizations pending; transition to Act V
AP Lit and Comp: Begin “Rime”—notes on board; analysis chart.
Friday, January 22, 2010
Tuesday, January 26, 2010
Word of the Day: vitiate
Irish Word of the Day: seomra folchta (bathroom)
Today’s Holiday: National Peanut Brittle Day
Gifted English II: Timed Writing on Julius Caesar’s speeches; turn in definitions
AP Lit and Comp: Frankenstein quiz; “Kubla Khan” analysis
Monday, January 25, 2010
APees: Romanticism unit; thesis statement development for AP FRQ prompts; writing conventions
Irish Word of the Day: Dia duit (hello)
Today’s Holiday: Bubble Wrap Appreciation Day (seriously)
Gifted English II: Resurrection of Author of the Day project, beginning next week/Julius Caesar recap of Venn diagram and new content vocab from Act IV; reminder about Elements of Style by next week as well. HOMEWORK: Finish definitions and acquire Elements of Style.
AP Lit and Comp: Review of Wordsworth concepts; samples from semester exam FRQs; transition into Coleridge (with pop-up goodness). Frankenstein reading quiz tomorrow for Part I (different format from first quiz.) Distribution of graded work. HOMEWORK: At least one journal entry for Frankenstein; bring lit book tomorrow.
Ireland 2010
Blurg!
Monday, January 18, 2010
Semester Examinations
Tuesday, January 19
7:20 – 9:15 1st Period Exam (115 min)
9:21 – 11:16 3rd Period Exam (115 min—Tech students go to Media Center)
Lunch
A lunch 11:16 – 11:46 (30 min)
4th A 11:52 – 12:13 (21 min)
4th B 11:22 – 11:43 (21 min)
B lunch 11:43 – 12:13 (30 min)
12:19 – 2:14 7th Period Exam (115 min)
Wednesday, January 20
7:20 – 9:30 2nd Period Exam (130 min)
Lunch
A lunch 9:30 – 10:00 (30 min)
4th A 10:06 – 10:55 (49 min)
4th B 9:36 – 10:25 (49 min)
B lunch 10:25 – 10:55 (30 min)
11:01 – 1:14 6th Period Exam (133 min)
Thursday, January 21
7:20 – 8:20 3rd Period District Video (mandated for all students--details pending)
8:26 – 10:36 5th Period Exam (130 minutes)
Lunch
A lunch 10:36 -11:06 (30 min)
4th A 11:12-12:01 (49 min)
4th B 10:42- 11:31 (49 min)
B lunch 11:31-12:01 (30 min)
12:07 – 2:14 4th Period Exam (127 min)
Wednesday, January 13, 2010
Thursday, January 14, 2010
Tuesday, January 12, 2010
Wednesday, January 13, 2010
Monday, January 11, 2010
Tuesday, January 12, 2010
Monday, January 11, 2010
Thursday, January 07, 2010
Friday, January 8, 2010
Wednesday, January 06, 2010
Thursday, January 7, 2010
Tuesday, January 05, 2010
Wednesday, January 6, 2010
Monday, January 04, 2010
Sophys: Julius Caesar Memorization Assignment
Gifted English II
Julius Caesar Unit: Memorization Assignment
One of the key components of learning is memorization. While Bloom’s Taxonomy labels memorization as one of the lower levels of learning, it is a necessary exercise to keep your skills and recall sharp. To heighten your mental acuity, therefore, we have a wonderful opportunity to memorize speeches from the history play The Tragedy of Julius Caesar.
This is a contract assignment; you choose your own grade. Select one of the following speeches and be prepared to perform for the class OR outside for Ms. Hilley on _________.
A+ with extra credit: 67 lines p. 782 90-131/135-161
A 34 lines p. 834 74-108
B+ 28 lines p. 831 12-40
B 21 lines p. 829 254-275
B- 18 lines p. 805 237-256
C 15 lines p. 850 92-106
D 9 lines p. 876 68-75
Frankenstein: Notes/Outline (APees)
Notes on Frankenstein : Themes and Contexts
Gothic novel
Ø Elements of the supernatural
o The “monster”
o The defining moment where the monster comes to life. . .immortalized and parodied in everything from Abbott and Costello Meet Frankenstein to The Simpsons
Ø Use of weather to establish mood
Ø Nature imagery
o The bucolic elements near Geneva
o The glacier, foreshadowing the denouement in the Arctic wasteland
o Nature personified as a force with power
Ø Odd coincidences and leaps of faith
o Death of everyone in Victor’s circle, and NO ONE CONNECTS THE DOTS! AND HE DOESN’T CONFESS! BECAUSE HE IS A DORK!
o A swift journey of three hundred miles. . .
Ø Byronic hero (although, admittedly, V.F. takes the cake for emotional disturbances and indications of a tortured conscience)
o Victor’s inanition and emotional torpor after seeing his creation
o Hallucinatory imagery
o The direct mind-body connection between V.F.’s guilt and his physical health
Ø Exploration of intellectual constructs
o Ethics, science, family relations, roles of women. . .see below
Science and technology
Ø References to alchemy/pseudoscience
o References to “sciences” obsolete during the time of publication
o Victor’s misappropriation of “standard” science with horrific results
Ø Ethics and creation
o Playing God
o No longer wanting to play God, but, dude, it’s too late. . .
Ø Abortion/reproductive issues
o The female creature is aborted by V.F. himself
o The original “monster” is technically aborted as well—rejected, shunted off to live in the periphery, maligned only because of aesthetics
o Novel’s implications may force readers to analyze their own criteria for the acceptance of others
o Relation to the science of eugenics practiced in America and Europe in the 1920’s and 30’s—mentally handicapped, physically disabled, and depressed people were often forcibly sterilized to prevent replicating their “weaknesses” to their progeny. While this practice is often attributed to Nazi Germany, where it flowered both ways (sterilization AND rich rewards for frequent impregnation of healthy “ideal” Aryan couples), America was just as culpable. Thousands of mental patients were given contraceptive procedures, often without their knowledge. Even today, people with genetic diseases like MS, certain liver or lung diseases, or even chronic forms of depression are sometimes discouraged from reproducing.
Ø Roles of women
o The submissive female
§ Justine, portrayed as an innocent (read: naïve) and slightly stupid
§ Caroline, self-sacrificing and long-suffering
§ Elizabeth, ditto. . .
§ (Begs the question—how much is Shelley extrapolating from her own worldview/life experiences? For all of his supposed equanimity, did her spouse wear the trousers, or did she? Or were there trousers available in a household known for free thinking? Why are we even thinking about this?)
o The female monster
§ Symbolic of the creature’s only hope for a “normal” life
§ Destroyed by V.F. in a fit of panic/pique
§ One could argue that it is interesting that the largely asexual V.F. should not be in the business of creating life—particularly of a gender he really doesn’t “get”. One could argue. Not necessarily successfully. Neat to think about, though, eh? Who else sublimates himself completely in his work and forgets the “love of his life” for entire periods of time? Not to mine the stereotype of the mad scientist, but they don’t typically have fulfilling personal lives. . .
Ø The Monster as “more human than human”
o NOTE: The above quote was pulled from a story by sci-fi writer Philip K. Dick called “Do Androids Dream of Electric Sheep?” that was later turned into the Ridley Scott classic film Blade Runner which in turn led to the White Zombie song. Nothing is entirely original—all three cultural texts owe thanks to Frankenstein for their own creations.
o The monster as a sympathetic creation
o Acts of violence as a means of communication in a world that consistently rejects him
§ He saves a woman from drowning; he attempts to relate normally with the cottagers, but is spurned at every turn
§ His acts of violence are shocking, but not unforeseen—he will do anything to reach out, even in socially unacceptable ways
o Father/child separation anxiety
§ Points of discussion for relevance in a culture of divorce? The child first seeks to please and flatter the missing father figure, which eventually turns to rage—love/hate dichotomy
o A lesson in compassion for reader/character/critic
§ Judge not on appearances! Love your friends, warts and all. Or dead body parts and all.
Ø Literary Allusions
o Milton—“Paradise Lost” epic poem about the fall of man written by the Father of English Epic Poetry (in fairness, there isn’t a LOT of English Epic Poetry, so it’s a dubious title at best)
o Coleridge—“Rime”
o Wordsworth
o Percy Shelley himself
Tuesday, January 5, 2009
Romanticism Notes: APeees
People to Know
William Wordsworth
Samuel Taylor Coleridge
Percy Shelley
John Keats
William Blake
George Gordon, Lord Byron
John Constable
Jean-Jacques Rousseau
Mary Shelley
Concepts to Know
mutability
the quest for immortality
nature imagery
the paradox
spirituality
connections: landscape to sky; art to immortality
lyric poetry
the Gothic novel
romanticism and revolution
Specific Works for Reference
“The World is Too Much With Us”
“Tintern Abbey”
“The Rime of the Ancient Mariner”
“Kubla Khan”
“Ode to a Nightingale”
“When I Have Fears”
“Ode on a Grecian Urn”
“On First Looking into Chapman’s Homer”
“Ozymandias”
“Ode to the West Wind”
The Gothic Novel
Frankenstein
Jane Eyre
Wuthering Heights
The Byronic Hero